However, all of the entries in the core handheld franchise - even Pokemon Black Version 2 and White Version 2, which launched earlier this year - have retained the top-down format of the series' first installment, something Drescher (like many Pokemon fans) wished to change.
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In an email interview with Polygon, Drescher explained that he's played every entry in the core Pokemon series - that includes every version of any given generation, like Gold, Silver, Crystal and so on.
The game's sole creator is 17-year old German resident Nils Drescher, whose appreciation of the franchise is truly second to none. “Everything I did as a kid is kind of rolled into one,” said Tajiri in an interview,“that’s what Pokémon is.Pokemon 3D, an independent project to finally bring the 16-year-old franchise into the 3D space - a feat it's heretofore only accomplished with spin-offs of the core series - garnered a lot of attention this week when its first playable build launched. He knew it would be fun for others to partake in the same excitement that brought his childhood alive.Īnd that viewpoint, which few in the game industry shared at the time, catapulted a simple idea into a multi-billion dollar franchise. With his autism, Satoshi spent his childhood in exploration, discovery, and collecting. Through it all, Satoshi used his unique perspective to create a toy few could have imagined. Ash’s rival in the series is Gary, known in Japanese as Shigeru, an homage to Miyamoto, Tajiri’s mentor who first believed in the project. In English, the main character is Ash, but in Japanese his name is Satoshi, named after Tajiri. But while its fame has spread, its roots are still in the childhood adventures of Satoshi Tajiri, the creator.
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Starting off as just a Game Boy toy, the franchise today includes playing cards, comics, apps, an animated TV series,and even a life-action film scheduled for release in May 2019.
Over the course of the 2000s, Pokémon exploded in the US and around the world. Instead, Pocket Monsterswas shortened to the term by which it’s known by today-Pokémon. audience, but copyright issues again stood in the way of the name.
Pocket Monsters, renamed from Capsule Monsters due to copyright issues, was released in 1996 in Japan, and started being tremendously successful. Tajiri enlisted the help of Ken Sugimori, the artist from Game Freak, for character design and art. His peers considered him eccentric, but they couldn’t deny his passion for the new game he was developing. During development, he took irregular shifts of a 24-hour period of work, following by 12 hours for sleep. With Miyamoto’s help, Tajiri began working on his project. He was Shigeru Miyamoto, the creator of Donkey Kong and one of Tajiri’s idols. Only one person in the room liked the idea. The project was too big, they thought, for a startup game company. But when he pitched the concept to Nintendo in the early 1990’s, they were skeptical. He originally called it Capsule Monsters, inspired by a Japanese fad for toy monsters in small round capsules available at vending machines. His idea was simple-a video game where players could collect and share different characters. And he knew that experience could create an amazing game. Tajiri loved his days collecting bugs and knew others would find it fun to collect and share things, too. And he decided to transform Game Freak from a magazine about video games into a creation company itself. It was at this time that Tajiri realized there were better games that could be made. Over time, Game Freak became a bigger and bigger publication, reaching over 10,000 readers at its peak. It started out as a few pages stapled together, but he eventually partnered with an artist named Ken Sugimori for custom illustrations for the magazine. With the mountains of knowledge and interest he had in video games, he started a simple magazine at age 17 with tips, strategies, and hacks he and his friends had discovered. As he grew older, his interest in video games eclipsed his earlier obsession with bug collecting, and he would sometimes skip school just to play in the arcade. He was also distracted and bored in school. Bug” because he was always searching for and finding new bugs to add to his collection. In his youth, Tajiri was obsessed with collecting bugs. He had a few interests that he focused on intensely, and didn’t enjoy school. Growing up, Tajiri exhibited characteristics typical of those with autism. This is the story of Satoshi Tajiri, the man behind Pokémon. One of the biggest pop culture obsessions of the last few decades has its roots in a childhood hobby influenced by autism. Can a disability lead someone to an idea nobody else could have thought of? History says yes.
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